Blog Search

Microphone Placement for Acoustic Drums



Microphone Placement for Acoustic Drums

In the early days of rock recording the entire drum kit was often recorded using a single microphone placed approximately two drumsticks above the snare drum. If you only have one mic for the entire kit that’s as good a place as any! Back when rock and roll was born, music was recorded in mono. A few years and some technical advancements later we had stereo and multitrack recording. This allowed for three microphones on the rum kit. One mic in the kick drum and two microphones over the drum kit to capture a stereo image. This is referred to today as an inverted pyramid technique. It’s still a very good way to capture the sound of a drum kit especially if you’re looking for an ambient sounding kit. However for this technique to give you professional sounding results you have to have two things.

First you have to have a well maintained well tuned drum kit and second you have to have a very good drummer. You need the kind of drummer that will sit behind the kit and play a while, listen to the playback and then adjust their playing style and the way he or she attacks the kit to suit the recording. You need to get the balance of the kit pretty much perfect because you won’t have much flexibility to balance the sounds of the kit later on in the mix.

This is why discreet or semi discreet mic placement techniques are more widely used. This involves more microphones. In this type of setup you have microphones in kick drum, on the snare drum, on each tom and a pair of overheads. Sometimes the hi hat has it’s own mic sometimes not depending on the style of music. Reggae music would most certainly call for a hi hat mic where blues, or heavy rock might not. This is because the sound from the hi hat will leak into the snare drum mic.

If that isn’t enough microphones for you I have done sessions in professional studios where there were microphones both above and below the toms and the snare drum, in front of and inside the kick drum, on the hi hat, two more microphones over the kit and as many as six additional microphones placed elsewhere in the room! This is overkill, but when you have the gear to do it why not try it! Although the drums did sound amazing in the finished product I have had equally amazing results with far fewer microphones.


© 2009 Maximum Home Recording Contact Me